AF043 – Lucas Darklord – …like horses

Lucas Darklord - ...like horses

Download MP3 (208 MB) FLAC (616 MB) ALAC (623 MB)

“Isn’t there something in your mind, that says, this is wrong, this is wrong on every level?”

At the time, at the time, it was like… it was…

…like horses, you know?

Comprised of two parts,* …like horses is presented as the ultimate in dark corporate stoner reflective/receptive grinding face core.

…like horses is recommended as perfect for long drives late at night, for community and public radio, for all intoxicated people, for going to sleep, for those days at work, and for ALL human life on the planet.

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AF028 - Lucas Darklord - Handheld Apocalypse

Lucas Darklord - Handheld Apocalypse

Selections from Anthologies 2 & 3

Download MP3 (229 MB) FLAC (698 MB)

These selections represent a sample of individual works, experiments and never-to-be finished pieces produced between 2005 and 2007. Some pieces mark the beginnings of failed projects or redundant tangents, whilst others came to be for unknown reasons. All compositions are intended for most appropriate use in managerial meeting rooms, excecutive boardrooms, vaults, darkness, at volume and with influence. It is advised that this composition be played in all work places both before and after work each day. This music is without genre and is Dark Corporate Techno, Dark Grinding Corporate Ambience, Dark Corporate Art Core and 21st Century All Family Punk. As such it is intended for consumption by all, and so it should be. Music for Everyone. If you listen, you’ll hear that Lucas Darklord is pleased that you are.

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AF025 - Lucas Darklord - Asmoir

Lucas Darklord - Asmoir

Download MP3 (987 MB) FLAC Part 1 (1.29 GB) FLAC Part 2 (1.49 GB)

These are the sounds received from our first interdimensional probe, Asmoir. This probe is exploring unknown and unheard somewheres, elsewheres. Whilst much of the data received from the probe is proving to be, for the time being, nonsensical, auditory recordings are proving to be of interest. It is not known if these recordings are accurate representations of the ‘sound’ in these locations.

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