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Shannon O’Neill’s first solo album. Recordings from the mid to late 1990s, exploring ambient dub, proto-glitch and electroacoustic soundscapes.
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Shannon O’Neill is an artist, academic and curator who works across music, radio, Internet, performance, text, video and installation. As well as making sound and music under his own name and as Time Being, he has been a member of the groups Wake Up and Listen, The Splinter Orchestra, Plenum, Projek Lansac and Undermind, and has collaborated with numerous artists in various media, including filmmaker Husein Alicajic, choreographer Tess de Quincey and new media artist Mari Velonaki. Shannon has been a director of the Electrofringe festival (2001-02), the Disorientation series (2003), and the Sydney Liquid Architecture festival (2005-07, 2009) and is the founder and director of Alias Frequencies, an organisation that promotes and publishes music and media art. He has written extensively on sound and media art, and contributed a chapter to the recent book 'Experimental Music: Audio Explorations in Australia'. Shannon is currently employed as a lecturer in Media Arts at the University of Technology, Sydney and is completing a PhD in music at the University of Wollongong. |
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