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Quite possibly one of the greatest albums ever made, this untitled release is the meeting of two of Australia’s most interesting, most underground, and most belligerently misanthropic sound-artists. Any collaboration between Buttress O’Kneel, with her sample-happy postpop cheeky-as-a-schoolgirl breakmashing, and Lucas Darklord, with his dark grinding corporate evil-as-a-business-retreat scrapescapes, was sure to be extreme. But their decision to cover the entirety of Led Zeppelin’s fourth album, track by track, using no source-material but the original songs themselves, makes an extremity that will perhaps awaken the sleeping Rock Gods, dormant since Bonham’s untimely vomit-inhaling demise. A rock-purist’s worst nightmare, and a sample-police’s greatest dream, this album marks the year 2009 as a year when THINGS CHANGED.
Now FUCKEN ROCK!
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Selections from Anthologies 2 & 3
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These selections represent a sample of individual works, experiments and never-to-be finished pieces produced between 2005 and 2007. Some pieces mark the beginnings of failed projects or redundant tangents, whilst others came to be for unknown reasons. All compositions are intended for most appropriate use in managerial meeting rooms, excecutive boardrooms, vaults, darkness, at volume and with influence. It is advised that this composition be played in all work places both before and after work each day. This music is without genre and is Dark Corporate Techno, Dark Grinding Corporate Ambience, Dark Corporate Art Core and 21st Century All Family Punk. As such it is intended for consumption by all, and so it should be. Music for Everyone. If you listen, you’ll hear that Lucas Darklord is pleased that you are.
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Download MP3 (987 MB) FLAC Part 1 (1.29 GB) FLAC Part 2 (1.49 GB)
These are the sounds received from our first interdimensional probe, Asmoir. This probe is exploring unknown and unheard somewheres, elsewheres. Whilst much of the data received from the probe is proving to be, for the time being, nonsensical, auditory recordings are proving to be of interest. It is not known if these recordings are accurate representations of the ‘sound’ in these locations.
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Liebeslieder is Ivan Lisyak.
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Ivan Lisyak’s ‘beats’ record.
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Ivan Lisyak’s first solo release, exploring the depths of digitalia.
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