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Buttress O’Kneel initiates an independent inquiry into what it means to have ‘Australian values’, when the hystory of the country is based squarely on invasion, genocide, abusing the needy, institutionalised racism, and lies. This is the album Australia needs to have, but is too scared to listen to.
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These are the sounds received from our first interdimensional probe, Asmoir. This probe is exploring unknown and unheard somewheres, elsewheres. Whilst much of the data received from the probe is proving to be, for the time being, nonsensical, auditory recordings are proving to be of interest. It is not known if these recordings are accurate representations of the ‘sound’ in these locations.
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Lloyd Barrett has spent the last 5 years working on a suitable sound for this project – with the only official release being a “cover” of the Coil track “Spastiche” on the Balance tribute album “the loneliest link in a very strange chain”. While retaining the sidereal nature of Coil, SKON has become inextricably linked to guitar worship. Channelling nocturnal emissions from spirit landscapes both internal and extraterrestrial this however is no G3 style tech hysteria. Lloyd’s guitar “gods” include Justin Broadrick, Snakefinger, Sunn O))), James Plotkin and Birchville Cat Motel.
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Aquatic glitch-dub by Shannon O’Neill and Andie Reynolds.
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An introduction to humanity for alien listeners.
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New technologies and techniques for excavating the unconscious.
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Liebeslieder is Ivan Lisyak.
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The Splinter Orchestra’s first recording.
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Ivan Lisyak’s ‘beats’ record.
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Ivan Lisyak’s first solo release, exploring the depths of digitalia.
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